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7 photos of mid-century society's beautiful elite practicing the life of leisure

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Just in time for spring’s awakening, SoHo’s downtown Leica store is hosting a mini-exhibit of the iconic society photographer Slim Aarons. The small collection of 18 pieces uncovers a rarefied, privileged class (from the 1950s-'70s) circling around fashionable, swanky locales. 

After all, “Attractive people doing attractive things in attractive places” was Aarons' mantra.

Fittingly, this exhibit includes his revered 1970 "Poolside Gossip," which is celebrating its 45th anniversary.

 Slim Aarons

Most importantly, design and art aficionados will appreciate the rarity of two never-seen-before Slim Aarons images on display from his daughter Mary’s personal collection: one which was taken on a Bermuda beach and the other at The National Archaeological Museum in Athens, Greece. Mary’s own personal work will also be included among her father’s iconic pieces.

 Slim Aarons

The show is a three-way collaboration between Leica (Mr. Aaron’s camera brand of choice), Mary Aarons and the luxury travel outfit Exclusive Resorts. At the back of the narrow store, 23 “recreations” of Aaron’s work from professional photographers tie in neatly with Exclusive Resorts four-day photography workshops in spots like Las Vegas and the California coast. 

The notion is to point-and-shoot like Slim with the latest Leica technology in tow around the world of well-heeled, attractively sunglass-clad men and women, bright bespoke cocktails, stunning modernist architecture, retro décor and chic landscapes.

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Shoot Like Slim runs through June 30th.  The exhibit is on view and open to the public at Leica 460 W Broadway, New York, (212) 475-7799

SEE ALSO: 35 incredible travel destinations you've probably never heard of

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The nouveau-riche mansions of Belarus are a sign of the times

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Driving through the suburbs of Minsk, photographer Vitus Saloshanka, a Belorusian native who moved away in 2001, was struck by the way in which familiar places had changed.

“I saw something I’ve never seen in Minsk before,” he says. “Contrast, social differences.” Dozens of new country houses had popped up in the fields outside the city, which, at a distance, resembled castles transforming the landscape into a kind of distant fantasy land. This was not the suburbia he recalled.

“The houses belong to the first wave of businessmen or leaders, who made money easily and quickly, and who wanted to show their individuality,” says Saloshanka. But for the photographer, they were more than just a manifestation of the obsessions of the nouveau-riche. They were also a sign of the times. “The houses represent a new sense of self-awareness in Belorusian society as well as a search for a new cultural identity. Who are we? Where are our roots? How is this expressed in the form of architecture?”

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SEE ALSO: 21 photos of everyday life inside the Moscow metro

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NOW WATCH: A day in the life of a fashion blogger with an eye for China

A photographer spent 9 years embedded with the police in one of America's most dangerous cities

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matt gunther probable cause book 9

If the recent upheaval in Baltimore, Ferguson, and other cities around the US shows us anything about the state of law enforcement in this country, it's that the relationship between police and civilians is a a delicate one.

Few know this better than the police force in Newark, New Jersey. The city's crime rates are consistently double the national average, and it has seen its fair share of accusations of abuse and corruption within police ranks

It's also a city that photographer Matt Gunther holds dear to his heart. Gunther, a self-described "insulated Manhattan kid" growing up, discovered his interest in Newark by accident. "I was driving an ex-girlfriend to the airport and I got lost and we ended up in Newark. It was love at first sight; it was my kind of city," he says. He knew he had to document it.

Gunther was embedded with the Newark Police force on and off for nearly a decade between 2002 and 2011, capturing everything he saw. The photos use a fair and democratic hand, with both civilians and police treated with sympathy and respect, and show a more nuanced side of the divide than we see everyday on the news.

His work was recently compiled into a book, titled "Probable Cause," which is out now on Schilt. We spoke with Matt about his new book and his experience with the Newark Police.

Once Gunther fell in love with Newark, he knew he wanted to photograph it. But he wasn't sure how he should tackle the project.



He would take the PATH train from Manhattan to Newark, sit in the middle of town and think about ways to capture the city. Then, he got it. "After two or three months, I realized what was a constant in Newark was police life," he says.



Through a string of family connections, Gunther was put in touch with the Newark Police. He sent a proposal to embed with the police force and was denied. But, he persisted. "After four months of sending proposals, I finally was accepted," he says.



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These two photos show the disturbing change in a child’s face before and after a bombing

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Photographer Bassam Khabieh was recently in Damascus, Syria, to document the relief efforts of the Syrian Arab Red Crescent.

When he arrived, the atmosphere around the relief convoy was one of joy and laughter. Children were gathered around, smiling as they obtained much-needed medical aid and supplies.

It took only a split second for everything to change. 

A shell landed near the convoy and the scene turned to terror. A volunteer was killed and numerous children were injured. Many started to scream and cry. 

Khablieh captured two photos — both of 4-year-old Ghazal – before and after the bombing. The difference is haunting.

Before the shell lands:ghazal syria bombing kids

And after:ghazal syria bombing kids

Here’s how Khablieh described it to Reuters:

In this particular photograph, it was the first time I had seen how children's innocent laughter could turn into screams, fear and tears. Seconds before the strike, the children were looking at me happily, getting ready for a picture. It was a very sad moment when I put my eye to the viewfinder to take pictures of laughing children; then when I looked back after taking the picture, I saw the same children crying, distraught.

It takes only a few seconds for life to turn to ashes and blood.

SEE ALSO: This devastating photo puts Pakistan's worst-ever terrorist attack into perspective

DON'T MISS: These photos capture the grim reality of life in Baltimore's poorest neighborhoods

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NOW WATCH: This air base in Qatar carries out American airstrikes in Iraq and Syria

Happy Armed Forces Day! Here's 34 stunning images taken by military photographers

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In honor of Armed Forces Day we are republishing the best images taken by military photographers in 2014.

"Recon Patrols" (First Place: Combat Documentation, Operational)

Soldiers assigned to Palehorse Troop, 4th Squadron, 2nd Calvary Regiment move over rough terrain during Operation Alamo Scout 13, Kandahar Province, Afghanistan, on Feb. 10, 2014. The operation was a joint effort between Palehorse troops and the Afghan National Army's 205th Corps Mobile Strike Force to conduct reconnaissance patrols in villages around Kandahar Airfield.



"Wounded Warrior" (Second Place: Combat Documentation, Operational)

Casualties airlifted by an Afghan Air Force C-130 Hercules from a Taliban attack on Camp Bastion are offloaded on Dec. 1, 2014 at Kabul International Airport. The Afghan military successfully repelled the attack on the camp after receiving control of the base from coalition forces a month earlier.



"Afghan Gunner" (Third Place: Combat Documentation, Operational)

An Afghan Air Force (AAF) Mi-17 aerial gunner fires an M-240 machine gun while flying over a weapons range March 13, 2014, near Kabul, Afghanistan. US Air Force airmen from the 438th Air Expeditionary Wing/NATO Air Training Command-Afghanistan flew a night-vision goggle training mission with an AAF aircrew to further increase the operational capability of the AAF.



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Forget 'CSI' — this short about forensic photography reveals how real-life crime scenes are documented

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With advancements in technology and budget cuts, forensic photography is quickly becoming a dying craft. "The Forensic Photographer" follows 20-year photography veteran Nick Marsh who gives insight into his craft.

Video courtesy of Beazknees 

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See startling photos of brain surgery's earliest patients

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For more than three decades, two amazing relics of medical history lay rotting underneath a Yale University dorm—Dr. Harvey Cushing’s collection of brains, and his collection of patient photography. The former has been given its own exhibition space in  Harvey Cushing/John Hay Whitney Medical Library, Yale University, open to the public since 2010. About 500 brains sit in the $1.4 million-dollar Cushing Center, carefully preserved in the leaden glass jars in which they arrived. 

The 10,000 glass plates, though, have only just begun their journey to public consumption.  Its contents are finally beginning to be seen—the pictures in this story have only been digitized in the past year and they are published here for the first time. The images are staggering.

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Babies with distended skulls sit on a mother's knee. Neat scars form patterns on patient skulls, like farmland seen from an airplane window. Often, the photos are taken in profile, or are a close-up of hands. Some of the most bewitching pictures involve a patient staring at the camera head-on, with a directness rare in today's selfie-strewn world.

 “They just keep revealing themselves,” says Terry Dagradi, Cushing Center Coordinator, “They are amazing not because they were shot to be amazing. They were shot to be documentary, shot as the history of neuroscience was being born.” 

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The path of both the brains and the patient photos is circuitous. Its formal title is the Cushing Tumor Registry, and it represents the work of Cushing from 1900 to 1933. The doctor, who was born in Cleveland in 1869, graduated from Yale and then spent his professional career at places like Johns Hopkins and Harvard—a career that profoundly shapes our understanding of the brain.

Cushing was a pioneer in neuroscience, with tumors being of particular interest to him. (He also won a Pulitzer Prize in 1926 for a biography of his mentor, Dr. William Oster, among other accomplishments including diagnosing the disease named after him, Cushing disease.) Beginning in 1902, he began saving specimens of his work along with immense amounts of documentation: By the time his registry arrived (with the doctor) at Yale in 1934, Cushing had collected more than 2,200 case studies, including brain specimens, tumor specimens and 15,000 photo negatives, both on film and glass plate.

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According to Dagradi, it was a woman, Dr. Louise Eisenhardt, who first looked after the collection. “It had a place of importance and research,” says Dagradi, “She was one of the masterminds of how the collection was put together.” After her death in 1967, as better scanning technology began to displace the need for physical specimens, “it turned into an inherited problem.”

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So Cushing’s brains, as they were called, were moved into the basement of a Yale medical school dorm in 1979. They weren’t lost, exactly, but they were kept as a curiosity. According to the collection’s website, students would enter through a crawl space and then sign a whiteboard to be members of the “Brain Society.” It wasn’t until the 1990s that a student named Christopher John Wahl took an interest in the collection, and funding was found to exhume it from the basement.

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The brains had been a known commodity, but the photography was a surprise. There were mostly glass plate negatives, but some film was found as well. Thirty years of dormitory storage took its toll. “It was a wet basement that would get really hot and the plates were stacked on top of each other,” Dagradi says.”  The film negatives did not stand up to time, sadly.

But around 10,000 black-and-white posed photographs of patients in varying states of treatment survived. “The photographs revealed this whole other aspect to the collection,” says Dagradi, who was a photographer working for Yale when the mid-'90s project began,” I got obsessed with the images.”  It’s not hard to see why: While it can be hard to look at some pictures, of say, children with swollen faces, the images capture people at their most vulnerable and human. There is something incredibly contemporary about the poses. 

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Dagradi says that there is no way to know who took the pictures. They were snapped over a 30-year period and reflect photographers of varying skill, resulting in over and under exposed images. But while these pictures might look like Diane Arbus outtakes, they were done purely for documentary purposes. “They couldn't see into the body the way that we can now, so photos could be critical to diagnosing patients,” says Dagradi. Of particular diagnostic value for Dr. Cushing were faces and hands: veins being clogged or fingernail defects were strong evidence of certain diseases.

cushing brains

Over a decade into the process of unboxing, recording, digitizing and cataloging the pictures, Dagradi says Dr. Cushing’s collection still holds mysteries. Who were the patients? Who were the photographers? What is the story behind a man’s Frankenstein-like scars on his head, or a young girl’s tumorous forehead? Of the thousands of images, she estimates that only a quarter, around 2,500, have been cataloged completely, a laborious process that involves matching the case number on the photo to Dr. Cushing’s specimens and other written documentation. (At one time, Dagradi says, the files were perfectly laid out but then archivists finally pulled the lot from the basement, there was “no way of figuring out how to order them.”) In the future, all of this information will be in a searchable database.

cushing brains

Names are difficult to confirm and Dagradi says that even though it is unlikely that any of the people pictured are still alive, medical ethics prohibit her from releasing any identifying information.

So, every day, Dagradi and her team look at more of Dr. Cushing’s patients. Medical grotesqueries don't shock her anymore but some pictures still catch her off-guard. “There are these photos of children that have some kind of a distressed condition, yet there's an attempt to smile, a kind of lopsided smile. They look so fragile,” she says, “There’s this sense that this might be the only photo ever taken of them—the girl with the perfect satin bow, or maybe a kid wearing a threadbare piece of fabric, the incidental nurse peeking around a corner, or an orderly, holding someone up who is barely alive.” The images might be grim, capturing people at the end of their lives, but the intent of the photographer is hopeful. If Dr. Cushing could understand that one malady better through these patient images, maybe then someone else could be saved.

The Cushing Center is part of the Obscura Day 2015 schedule. To get more information and tickets, go here.  

SEE ALSO: FOUND: An early portrait that could be William Shakespeare

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I traveled across China photographing families with everything they own

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Chinese families with everything they own

Editor's Note: Recently, photographer Ma Hongjie traveled across China, photographing "common families," as he puts it, in rural and urban areas, posing with every object they own. This story was originally published on his blog. Head over there to see more photos from the series. 

When I was about five, my parents took me to live in the city. At the time, people did not think to buy houses—we lived in a 20 square meter apartment allocated by the factory where my parents worked. The apartment had one large bed, one small bed, a table, and four chairs. 

Since the factory was state property, so were these—and they were by no means our own. If we ever needed anything else, we could apply to the factory support office. Later, my father bought a tube radio for 10 yuan from the consignment store—our very first “belonging.” That year, his monthly salary was only 48 yuan (about $112 in today’s dollars).

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In 1977, my father spent 100 yuan ($238 today) to have a large wardrobe made; it had two doors and several drawers, and when we got it home, all of our neighbors were deeply envious. That was our first piece of furniture.

In 1978, the newly reformed Chinese television system broadcast an American television series called Garrison’s Gorillas. Every evening the children of our courtyard would run to the neighbors’ house, and cram themselves in front of the TV. One time, my brother and I were shooed away. After our father found out, he went to the TV factory in Luoyang and bought a black and white tube TV—and to add a little color also bought a tricolor film to stick on the screen. A month later, afterGarrison’s Gorillas had finished its broadcast, my father took the TV set back.

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When my father and uncle began to live separately from my grandparents, they divided up our family assets, and all my father received was two kilograms of soybeans. By the time I graduated in 1980, our entire collection of family belongings was worth a total of less than 800 yuan ($2,109 today). 

For this series of photos, called "The Family Belongings of Chinese People", I mostly chose to photograph the homes of common families, who form the vast majority—and most fundamental element—of Chinese society. Since the items aren’t of much value, these families were willing to take them out and show them to others.

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I also wanted to take some photos of the family belongings of wealthy people, like heads of coal mining companies, but this proved very difficult. They weren’t willing to let other people see what sort of things they had in their homes. Of course, they are their own private belongings, and the choice is entirely up to them.  

A nation’s assets are its people. The people’s assets are represented in the things they own, and these are recognized and protected by national security.

As I write this, I am currently on a flight to Canada, passing over eastern Russia’s Sakhalin Island. My good friend Zhao Rongsheng is next to me, reading the Diamond Sutra, which he does every day. When I ask him how he feels after reading it, he tells me, “a sense of belonging.” 

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Most of the passengers are Chinese—about half are Chinese immigrants living in Canada, and the other half are visiting relatives or vacationing. I’m using my vacation to go some place quiet and relaxing for a while. The Chinese passengers with Canadian citizenship probably have a sense of returning home, since both China and Canada are home to them. Traveling from one to the other is an easy and pleasant transition. 

In the more than three decades since China opened up, the resulting social transformation has led to problems like pollution and economic imbalance. Large numbers of more wealthy people have begun to leave the country. 

Chinese families with everything they ownChinese families with everything they ownChinese families with everything they ownChinese families with everything they own

Before the plane begins to descend, the attendant comes around with drinks, and a nearby Chinese passenger asks if the apple juice was produced in China or Canada. The attendant emphasizes that it’s from Canada. After accumulating a certain amount of wealth, many Chinese citizens have started to pay more attention to developing better lifestyles and living environments.

A first-class ticket on this flight costs more than 30,000 yuan ($4,800); the passenger next to me says that the only benefit of first class is that you get to sleep better, and that there’s no way 30,000 yuan is worth it. But after the 12-hour flight is over, you wake up and think about how great it is to be able to spend this time sleeping in a proper position.

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Now as I board the flight back to China, another Chinese person sees that I have a lot of luggage, so he asks me if I’m going home. I say yes. What is home? I think home is the place that you came from, and that you miss after you leave it. So in a sense, the family belongings in these pictures are a form of “home.” It has taken me 10 years to photograph them all.

 

SEE ALSO: 31 Awesome Inventions Made By Ordinary Chinese People

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NOW WATCH: 11 facts that show how different China is from the rest of the world


10 amazing photos of nature taken at the perfect moment

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The 2015 National Geographic Traveler Photo Contest is nearing its conclusion. Judging by the entries National Geographic is showing off, the competition looks tough.

In last year's contest, there were more than 18,000 entries to the contest. Photos are divided into four categories: travel portraits, outdoor scenes, sense of place, and spontaneous moments.

Entries for this year's contest are being accepted until June 30th. If you think you've got what it takes, enter here.

The grand prize winner gets an eight-day National Geographic Photo Expedition: Costa Rica and the Panama Canal with airfare for two.

To celebrate the end of the contest, National Geographic has shared some of its favorite entries from the "Spontaneous Moments" category with us here.

Photographer Howard Singleton says he had "lucky timing" to snap this shot. The oxpecker was originally sitting on the hippo's head, but had to leave when the hippo decided to yawn.

 

 



"Whale watching is magical, but the waiting part is filled with anticipation," says Sandra Aileen Greenberg. She was lucky enough to catch a mother and calf burst out of the water at the same time.



This photo was taken in the Apuseni Mountains in Romania. "I really liked this kind woman, her funny smile, and how the ox licks her hand," says photographer Angyalosi Beáta.



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These 10 Instagram users post photos from inside North Korea, the secretive 'Hermit Kingdom.'

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Despite earning the nickname "Hermit Kingdom," North Korea isn't entirely disconnected from the modern world.

The country added 3G network access for foreigners in 2013. These days, several people post Instagrams regularly from inside the secretive country. Many are journalists like AP photographer David Guttenfelder although some are tour operators or foreign teachers living in the capital of North Korea. We've assembled a list of some of our favorites.

@drewkelly: A teacher in Pyongyang for three years, Drew Kelly has been posting iPhone-only photos from his life in the capital, including this shot from the Pyongyang 10K race.

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Follow @drewkelly

 



@shinchoi: Shin is another teacher in Pyongyang. Shin publishes lots of shots of people in their every day life rather than scenery.

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@dguttenfelder: David Guttenfelder is a photographer with the AP and National Geographic, among others. He only takes his Instagrams with his iPhone and was one of the first in the country to set up the geo-tags.

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10 stunning portraits from the 2015 National Geographic Traveler Photo Contest

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The 2015 National Geographic Traveler Photo Contest is nearing its conclusion. Judging by the entries National Geographic is showing off, the competition looks tough.

In last year's contest, there were more than 18,000 entries to the contest. Photos are divided into four categories: Travel Portraits, Outdoor Scenes, Sense of Place, and Spontaneous Moments.

Entries for this year's contest are being accepted until June 30th. If you think you've got what it takes, enter here.

The grand prizewinner gets an eight-day trip — the National Geographic Photo Expedition: Costa Rica and the Panama Canal — with airfare for two.

To celebrate the end of the contest, National Geographic has shared some of its favorite entries from the "Travel Portraits" category with us here.

A Mongolian toddler helps her mother with the laundry by hanging clothes on their ger, a traditional Mongolian tent.



This man is an Aghori, a secretive Hindu sect of holy men known for eating corpses. They believe doing so will make them ageless and give them supernatural powers. The Aghoris are marked by colorful body paint and clothes.



A young monk at the Shwe Yan Pyay monastery in Nyaung Shwe, Myanmar. The monastery was built in the 1800s and is richly decorated with mosaics and golden ornaments.



See the rest of the story at Business Insider

16 stunning photos of the south of France in the 1960s

Science can finally tell us which photo filter we should choose

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If you've been spending too much time choosing the right photo filter for your brunch, these precious minutes have not been wasted.

Science has spoken, and not only do filters give your photos a cool and unique look, but they also make your photo more engaging, according to a new study from Yahoo.

Researchers from Yahoo Labs and Georgia Institute of Technology analyzed 7.6 million mobile uploaded photos from Flickr and found that filtered photos are 21 percent more likely to be viewed than images without a filter.

They are also 45 percent more likely to be commented on, for that extra punch of gratification.

Plus, the study offers some helpful advice on which filters to choose if you want to get some extra attention on your photos.

Flickr images

Filters that are cooler and darker tend to be less-engaging, so opt for ones that introduce colors like yellows and reds (like the middle photo above). 

"Specifically, we find that filters that impose warm color temperature, boost contract and increase exposure, are more likely to be noticed," said the report.

So, Instagram addicts, maybe opt for "Rise" over "Sutro." For Flickr users, maybe "Lighthouse" over "Pacific". That's our at least somewhat-scientific recommendation. 

SEE ALSO: CEO Kevin Systrom reveals the $37 billion 'a-ha moment' that spawned Instagram

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NOW WATCH: How To Take Beautiful Photos Of Your Food For Instagram

This incredible map lets New Yorkers see vintage photos of their street corners

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Old photos have an uncanny way of connecting us to our past and creating a window to see back in time. And fortunately for a city like New York, with such a rich history, there are a lot of vintage photographs that capture days gone by.

But never before have they been visualized like this. 

The New York Public Library, along with some history buff developers, recently launched OldNYC.org, which features an interactive map that plots thousands of photos to the location they depict. Each location is marked by a red dot. As you can see below, there's a lot of photos — one or more for nearly every street corner.

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Once you click on a red dot, you're presented with one or more photos of that street and specific street corner. The photos come from the New York Public Library's Milstein Collection and date from the 1870s to the 1970s, with a many of them taken during the 1920s to the 1940s by photographer Percy Loomis Sperr.

oldnyc2Especially for someone familiar with New York City, it's the type of website you can spend hours on. I immediately began looking up places where I've lived and worked. The church next to my old apartment on East 11th St. still looks the same!

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SEE ALSO: These vintage photos of New York City in blizzards are wonderful

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NOW WATCH: Here's what New York City looked like in 1905

My life inside the luxury real estate bubble

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The section of the magazine was called Real Escapes and in 2005 I was in charge of it, despite having never owned any real estate in my life.

This meant that all the renovated castles in Scotland, subdivisions of modernist prefabs and Tuscan villa communities that crossed my desk looked pretty seductive.

I would paraphrase press releases at a length of 1,500 words, and the magazine – a bimonthly lifestyle supplement to a major national business publication – would run enticing photography or renderings supplied from the developers.

Was this journalism? Not even close.

What it was was junkets galore. I traveled to places where wealthy businessmen might want a vacation house, often on a developer’s dime, sometimes on a modest allowance from the magazine.

This was 2005 and 2006, the tail end of an exuberant time. Loans were cheap and money was everywhere: a kind of ubiquity of wealth that didn’t yet seem foolish, sinister or unreal. Or it didn’t to me.

It does now. Ten years later, amid warning signs of another housing bubble, I can see that the hints were everywhere: deserted developments, half-built luxury condo towers, empty construction sites. There was the private island off the coast of Antigua where the developer showed me new house after new house, all apparently sold to wealthy buyers. Five million, ten million, twelve, he said. Not one of them looked as if they’d been ever been inhabited.

An economic disaster was under way, but I sensed nothing amiss. The descriptions of full service amenities, butlers on call, stocked fridges and high thread count sheets simply washed over me. If anything, my attitude was one of low-key bemusement – which is a kind of entitlement, it seems to me now.

It was before people started talking about the “1%” but I, foolishly, might have sworn the number was higher. I envisioned a vast group of people, men mostly, who pursued a particular kind of frictionless life. Not that I met any of them.

luxury cars beverly hills

Apart from the illustrious and rather well-heeled editor-in-chief (rarely in the office), my colleagues at the magazine were solidly middle class, fretting over mortgages and school tuition and credit card bills like everyone else. The younger staffers were barely making rent and everyone picked over the bounty of free stuff sent to us: watches, golf equipment, tennis rackets, cuff links.

I took my girlfriend on a trip to Lausanne, Switzerland, to see a grand 19th-century hotel undergoing renovation (I occasionally wrote about hotels too). She stepped into the suite they’d given us with the antique furniture, the giant bed, and the balcony with its view of shimmering Lake Geneva and she couldn’t hide her dismay. “You realize all of this is gross, right?”

I shrugged. We had a little fight. It wasn’t so much the lavishness that bothered her – Liz had been in nice hotels before – but the way it had been simply given to us. As if we deserved this treatment. As if we’d done anything to earn it. She’d seen me oooh and aaah at the rooms the hotel’s PR representative had shown me on a tour that morning. So what? I said. The hotel was beautiful, had real history. Sure they were tearing up the century-old garden out front to build a spa, but mostly the establishment would remain as it had always been.

Palais Namaskar Marrakech

Our fight went nowhere – we were two fortunates sparring in a palace. Liz retired to the giant tub, and her irritation went away.

I traveled to Siena, Asheville, Costa Rica, Bermuda, St Moritz – sometimes with Liz, sometimes on my own. After a trip to St Lucia, Liz and I had dinner at the house of one of my colleagues, a veteran in the luxury magazine trade. He was 20 years my senior and married with two kids.

Liz complained about what we’d seen: this beautiful stretch of coastline ripped up to make way for concrete luxury condos with granite kitchens and central air. My colleague responded angrily. Would St Lucia be better off without development? These were local jobs. This was progress for a poor island. Who was she to stand in judgment? Who was I?

My mother, a subscriber, faithfully praised my columns at first. They sounded like me, she said. Sometime in my second year at the magazine, the praise dropped off. Then she emailed to tell me that I was in a rut.

I deleted my mother’s email and told myself this was not what a rut looked like. It was June and Liz and I were headed to the Turks and Caicos. There was this unspoiled island to see that developers were turning into a community of Hamptons-style homes. A quick Caribbean vacation – why not?

Sunset Plaza Beach Resort and Spa

We flew into Providenciales and I remember the modern airport, the intense heat and in baggage claim the smell of a pet that had been in its crate too long. June was not high season, but arrivals was packed.

A sandy-haired man with a broad smile and sunglasses strung around his neck routed us away from the tourists. He was wearing white shorts and a polo shirt with the name of the development stitched on the right breast. I was wearing the wrong clothes. My pants clung to my legs; my shoes were like furnaces. Wait till we see the island, he said. An unspoiled paradise. Liz and I nodded.

The plane could seat eight, but there were just four of us, including the pilot. The man who’d met us took the co-pilot’s seat. As the propellers snapped into life, he shouted that the island had the longest paved private airstrip in the Caribbean. Almost 6,000ft. You can land a G5 on that thing, he told us. It was a short flight – within minutes I could see it: a sprawling, dune-colored island surrounded by sparkling reefs and rimmed by white beaches.

As we dropped in for a landing, I spotted a mess of construction along the southern coast of the island – trenches, a foundation bristling with rebar, trucks parked every which way.

Beach construction

The construction materials were for the marina, clubhouse and spa complex, the man told me. Not much to see yet, but it was going to be spectacular. Homesite sales were brisk, he promised. No hotel was planned or fractional ownership offered; this wasn’t a timeshare community. It would be much more exclusive.

We would be staying in a safari tent on the north end of the island, where prospective buyers were put up. It had a king-sized bed, real linens, running water, a chemical toilet. Luxury bath products. Lizards scattered everywhere, inquisitive, utterly unafraid.

Suburbs

The island was beautiful, lonesome and uninhabited. I drank chilled water and gazed over promontories and imagined the three- and four-bedroom homes that would soon be built. Each one would diminish the island’s drama, and my 1,500 laudatory words would only help that process along. I didn’t dwell on it.

Later, we passed the airstrip and a group of men on radios flagged us down. My tour guide had a pointed exchange with them out of earshot. He spoke furiously on his cellphone as the men piled into trucks and raced away. He eventually returned to the ATV, distracted, and said we’d look at a few homesites on the west coast, but his attention kept straying to his flip phone. Was everything OK? I asked. He didn’t answer.

Back at the safari tent, the staff who had been sent up to cook us dinner were noticeably disturbed. Liz and I asked them if something had happened they said they couldn’t talk about it.

Providenciales beach

The chef came out to pour us some wine and Liz, more ingratiating than I, got the story out of him. A backhoe had tipped over at the construction site. Was anyone hurt? The driver, the chef said. Then the chef had tears in his eyes. He said he couldn’t talk about it, but it had been a terrible accident.

Liz turned ashen. The man had been killed. We tried to absorb the news. What could we do? Nothing. Should we leave? No, that would be worse.

I was an editor from an American magazine and the developers had flown me here because they wanted a story. The fish was fresh and the wine was cold. Have a drink, he said. You can go snorkeling in the morning.

The staff busied themselves with the dinner and Liz and I sat in silence in front of a formidable sunset. I thought about what I wasn’t supposed to know: that in the scar of construction along the perfect beach, a man was dead.

Liz and I couldn’t talk about it and the sense of disassociation became extreme. Trying to sleep that night, I tried to imagine what I would write. I pictured the next day. The morning of perfect weather. The waters teeming with parrotfish and snapper and barracuda.

I wrote about all of that, about the island, the safari tent, making no mention, of course, of what had happened. It is one of those pieces that has thankfully never made the internet.

Market crash 2008

Meanwhile, a shakeup was under way at the magazine. My illustrious boss was sidelined in favor of an ambitious new editor-in-chief who was a true believer in luxury, who wore tailored suits every day and had been on junkets his entire life. He fired most of my colleagues. He kept me on but said he wanted me to rethink Real Escapes. He wanted lists that could be branded – the most exclusive zip codes in the country, that sort of thing. The luxury market was strong, he said. We needed to capitalize on it.

But the market wasn’t strong. By mid-2008, half the projects I’d covered were suspended or abandoned. The Turks and Caicos island development went bankrupt, with only a handful of houses built.

I found another magazine job and quit. I’d like to say this was a canny move and that I was out of my rut and on to better things. But in fact, I was laid off from my new job within four months. The economy was in full retreat.

The Great Recession had begun.

Taylor Antrim’s second novel, Immunity, is out now

This article originally appeared on guardian.co.uk

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One photographer amassed thousands of Instagram followers after repeatedly organizing her food in a very particular way

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Toast+Gradients+ +wrightkitchen.com

Brittany Wright is a freelance photographer in Seattle, Washington. She's also passionate about food, and when she combines the two, the results are fantastic.

Wright recently created a photo series called #FoodGradients, where she arranges food items by color.

There's nothing she can't arrange. From toast to raspberries to donuts to eggs, Wright is far from running out of ideas.

People went crazy for the photos (some you can find on her Instagram) and she was featured everywhere from New York Magazine to BuzzFeed.

Now she's on a road trip across the country, photographing food and farms from Portland to New York City.

 

Wright spends a lot of time organizing the foods she photographs.



The results are beautiful, artful shots.



Her #FoodGradients project quickly captured the attention of tons of media outlets.



See the rest of the story at Business Insider

These were the best military photographs of 2014

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Earlier this year, a panel of judges based in Fort Meade, Maryland made their selections for the 2014 Military Photographer awards

The judges handed out awards to military photographers for their amazing work in ten different categories including Sports, Pictorial, and Combat Documentation (Operational). The judges have also named the overall best military photographer for 2014. 

Air Force Staff Sgt. Vernon Young was selected as the Military Photographer of the year. His photos ranged from evocative portraits of Afghans to scenes of US forces training before deployment. 

Here are some of the top photos, which capture the individual challenges, pressures, and triumphs of US military service.

"Recon Patrols" (First Place: Combat Documentation, Operational)

Soldiers assigned to Palehorse Troop, 4th Squadron, 2nd Calvary Regiment move over rough terrain during Operation Alamo Scout 13, Kandahar Province, Afghanistan, on Feb. 10, 2014. The operation was a joint effort between Palehorse troops and the Afghan National Army's 205th Corps Mobile Strike Force to conduct reconnaissance patrols in villages around Kandahar Airfield.



"Wounded Warrior" (Second Place: Combat Documentation, Operational)

Casualties airlifted by an Afghan Air Force C-130 Hercules from a Taliban attack on Camp Bastion are offloaded on Dec. 1, 2014 at Kabul International Airport. The Afghan military successfully repelled the attack on the camp, and had been given control of the base by coalition forces a month earlier.



"Afghan Gunner" (Third Place: Combat Documentation, Operational)

An Afghan Air Force (AAF) Mi-17 aerial gunner fires an M-240 machine gun while flying over a weapons range on March 13, 2014, near Kabul, Afghanistan. US Air Force airmen from the 438th Air Expeditionary Wing/NATO Air Training Command-Afghanistan flew a night-vision goggle training mission with an AAF aircrew to further increase the operational capability of the AAF.



See the rest of the story at Business Insider

This woman’s Instagram of perfectly arranged fruit totally blew up after celebrities became obsessed with it

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@myfruitplatterInstagrammer Jenny Zhang is trying to get more fruit into your daily internet diet. 

Two years ago, Zhang, a 21-year-old university student, started taking pictures of her afternoon snacks from her dorm room in London and posting them on her Instagram account

Today, the account — @myfruitplatter — boasts almost 12,000 followers and has caught the attention of celebrities like Gigi Hadid, Lo Bosworth, and Naomi Campbell.

"It's all really exciting, when I started doing this I never thought I'd get nearly this many followers," Zhang told Business Insider.

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Originally the account was called @healthyfoodporno, but Zhang changed the name when she started gaining more traction on Instagram. Most of Zhang's early photos were taken on top of her bed, using the one plate she kept in her room. You can even see her bedsheets in some of them.

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Currently studying business management at the London School of Economics, Zhang is not a photographer by trade. She shoots and edits her pictures using only an iPhone and says that the process of creating a fruit platter happens, well, organically. 

"I'll go to the farmers market and buy a bunch of different fruit. I'll try to color coordinate since some [fruits] go better together than others. I don't really have a picture in my mind, it's all very spontaneous," Zhang said. 

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Zhang talks about her subjects almost as if they were people.  

She notes that apples are "a bit boring to work with," while her favorite, dragon fruit, "works really nicely with other fruit." 

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As for her success, Zhang attributes it to an odd sense of satisfaction they feel when looking at colorful, neatly arranged fruit. 

"I think traditionally art is mean to provoke a feeling of some sort and with this new trend of food photography, people get such a satisfying feeling from the photos," she explained. 

 

Jenny Zhang Myfruitplatter

Many of her pictures use a technique called "knolling," where items are carefully positioned for symmetry. The organized style of Zhang's photography is very popular right now. For example, photographer Brittany Wright uses food arranged by color to create a similarly pleasing effect. 

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The fruit project has grown significantly since its days in Zhang's dorm room. She recently ran a successful Kickstarter campaign to buy more exotic varieties of fruit. Zhang's fans contributed ₤480, more than double her initial goal of ₤200.

Zhang is also launching a designer fruit platter catering business for the London area. 

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Zhang offered Business Insider a little trick for taking our own fruit pictures. She says that freezing the berries before styling them lightens their color. 

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When asked if she has plans to expand her produce photography, Zhang told BI she'll be sticking with fruit for now.  

"Vegetables just aren't that photogenic," she said.

 

SEE ALSO: An artist is making $100,000 a pop off other people's Instagram photos — and it could be totally legal

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Explorers' Instagram feeds will make you want to get out and see the world

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Your friends' Instagram feeds of selfies, brunch, and baby photos get tedious fast — unless those selfies happen to be taken with a whale or they brunch while hanging from a cliff face.

Luckily there are tons of amazing Instagram feeds from explorers and adventurers — many who have embarked on incredible journeys, set records for achieving things no person has done before, and advanced science by exploring the fascinating details of life on our planet — will add a dose of adrenaline and wonder to your day.

And in some cases, they might inspire you to drop what you're doing and go see the world.

Climber and photographer Jimmy Chin beautifully captures all kinds of adventures, but his shots of mountains — and the climbers, skiers, and snowboarders that love them — are breathtaking.

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Pulitzer Prize-winning journalist Paul Salopek is taking "slow travel" back to its (and our) roots as he retraces humanity's migration around the globe, in a 21,000 mile, seven-year walk that began in Ethiopia.

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Award-winning photographer Beverly Joubert and her husband Dereck are conservationists and filmmakers who focus on African wildlife.

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13 chefs tell the stories behind their tattoos

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Growing up in and around a restaurant kitchen (my dad owned a fried chicken joint) and now spending much of my career writing about food and the people who make it great, I always like to hear chefs talk about their tattoos.  

Being a chef of any kind is intense as all hell. But it's also an art that requires a free-roaming, slightly unhinged frame of mind. They're sensitive beings with complex emotions and fabulously twisted senses of humor, so naturally they have rad tattoos.

For the past week I've been emailing with 13 East and West Coast chefs to find out the backstories of their tattoos. What I ended up getting went so much further than why and when. 

1. JESSE SCHENKER 

Chef/owner, The Gander and Recette
Author, "All or Nothing: One Chef's Appetite for the Extreme" 

JESSE SCHENKER

I got it in 2005, while I was in a work release program, newly sober and cooking my heart out. 

“My left arm is tattooed with the words 'ALL OR NONE,' written in my own handwriting. It’s inspired by the Pearl Jam song that reflects my mentality for the extreme, whether it be my dark past with drugs or intense passion for cooking. The words are surrounded by a piece of caul fat — the membrane surrounding a pig's internal organs — wrapped around a piece of meat and punctuated by a slicer from Japanese knife-maker Misono. I got it in 2005, while I was in a work release program, newly sober and cooking my heart out. 

I’m a longtime Pearl Jam fan and the band has been a big part of my life through thick and thin. Serendipitously, the song “Alive” even came on in the back of a cop car after my final arrest, which signified a moment of life-changing clarity.” 


2. MARC FORGIONE

Chef/partner, Restaurant Marc Forgione and American Cut

marc forgione

"I use [tattoos] almost like a roadmap of my life. They all have their own little story. It's a badge of memory. The wild turkey feathers are a sign to the great spirit that I'm always listening and paying attention to the simple gifts in life."

Editor's note: Forgione is really into Navajo art — it's what inspired him to open his first restaurant. The "1621" on both of his biceps represents his 2010 win on "The Next Iron Chef," for which he recreated the first Thanksgiving meal.


3. STEPHEN COLLUCCI

Pastry chef, Colicchio & Sons 

stephen collucci_collicchio and sons

"I wanted to get a tattoo that reflected my love of the craft but wasn't feminine. The tattoo [the Italian word for sugar] is meant to express my dedication to my art and pay homage to my roots, which inspire me on the daily.”


4. LUKE WALLACE

Chef de cuisine, CraftBar New York 

luke wallace craftbar

It stands for act 3, scene 1, lines 58-92 ... the 'to be or not be' speech from Hamlet. 

"My father was in the navy and served in the Vietnam War. I always loved his stories of travel, food, and excitement in Southeast Asia. He had a similar tattoo of an anchor that he got in the navy, with 'made in Brooklyn' written underneath it. By the time I was born it was already a blurry mess, but I still remember thinking it was so cool. 

When [my father] passed away from cancer a few years back, this seemed like a good way to honor his memory. I also took my first Southeast Asia trip to Vietnam shortly after.

The banner at the top is a part I added — it stands for act 3, scene 1, lines 58-92, probably one the most famous speeches ever written, the to be or not be' speech from Hamlet, a classic tail of life, death, and loss of fathers.”


5. MICHAEL CHERNOW

Owner, Seamore's (coming summer 2015)
Co-founder, The Meatball Shop

Michael Chernow

"On my left arm I have a tattoo of my first dog, Duke. I got him when I was 18 and he was truly like a son to me. My right arm is tattooed with orchids because they are my mother’s favorite — and now I can give her flowers every time I see her.

Basically, every tattoo I have represents something that is very near and dear to my heart. They keep me grounded and remind me what matters most in life.”  


6. ADAM GERINGER-DUNN

Executive chef/owner, Greenpoint Fish & Lobster Co.

chef adam geringer dunn

Being a pescatarian, I believe oysters to be a perfect protein.

“My first and only tattoo is of Wellfleet oysters. I’ve been going to Cape Cod with my family for 25 years. I think Wellfleet consistently produce some of the best oysters in the country.

Being a pescatarian, I believe oysters to be a perfect protein. They have a net positive effect on the environment, [they're] totally sustainable, incredibly healthy, delicious, and [don't] need any cooking or significant preparation to eat.” 


7. JEFF MAHIN

Chef/partner, Lettuce Entertain You Restaurants

jeff mahin

My first tattoo I got when I was 16 — that my friends and I did to each other — probably wasn’t the best idea

“My first tattoo I got when I was 16 — that my friends and I did to each other — probably wasn’t the best idea.

I met a guy when I was 18 who was totally covered in tattoos, and he was 75. I randomly talked to him and he told me a story that I still remember to this day. He always wanted tattoos but his wife didn’t really like them. When she died, he decided to move to Japan and find the best tattoo artist and do a full body tattoo. 

Japanese artwork has always been a big part of my life, as my dad was an engineer.


8. EMILY CHAPMAN 

Sous chef, Louro

emily chapman louro

RIGHT: "I got this tattoo on the second year anniversary of Louro. Some restaurants really change you as a chef and person, and I wanted to carry those lessons with me always."

LEFT: "These are all warriors from ancient history, what I used to study before culinary arts. They help support my inner warrior and remind me of my love of history."


9. KEVIN ADEY

Chef/owner, FARO

kevin adey

RIGHT: "'Commis' represents the lowest/least experienced person in the kitchen. It’s a symbol that we are always learning."

LEFT: "[Called 'Pig Arthur'] this represents that the meat I cook came from animals that had to die — so don’t mess it up!"


10. SEAN OLNOWICH

Chef, Bounce Sporting Club 

sean olnowich

"The one large tattoo I have stems from my studies of Eastern cultures and, more specifically, the way of the Bushido and Japanese ideology in general. There are three major components to the tattoo: The most prominent is the dragon, which represents wisdom, strength (for the good of mankind), and generosity; next is the koi fish, which represents courage, desire, and determination; and last is the cherry blossom tree and petals, which represents beauty, love, and the essence of life."


11. RAYMOND ALVAREZ

Executive chef, Toca Madera 

toca madera

“This tattoo serves as a thank you to my mom for all she has done, and for making me who I am today.”


12. SAM MASON

Chef/co-owner, OddFellows Ice Cream Co.

sam mason

I actually have no reason or inspiration behind my tattoos. 

“Believe it or not, I actually have no reason or inspiration behind my tattoos. I don’t give a concept to the artist.

I just seek out great artists that I trust and give them free reign to do what they do best. All of my tattoos are original work that I’ve consented to right before going under the needle. So far, so good!”


13. LUIS JARAMILLO

Executive chef, Blue Water Grill

Luis Jaramillo

RIGHT: "The Inca god Viracocha represents the heritage where I come from, Ecuador."

LEFT: "It is a philosophical way of not being afraid — freeing your thoughts, mind, soul."

SEE ALSO: Top chef explains how to make the perfect prime rib

SEE ALSO:  LIFE More: Eating Sushi Japan Restaurants New York is losing one of its best sushi chefs in July — let the reservation race begin

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